Are you implying that the expensive color hasselblad cameras taken up on the Apollo missions were unable to perceive the color green?
Are you implying that the cutting edge Kodak film taken up on the Apollo missions were unable to perceive the color green?
you really have no idea how cameras work, do you. i am not expert, but even i understand these basic principles. both positive and negative color film try to capture similar light frequencies, curve widths, and amounts that the human eye sees. but both are not very good at it, any more than modern ccd's are good at it. negative film in particular is horrendously bad and requires extensive tweaking. but positive film is much worse than negtive film is also not very good and is much worse at capturing dynamic range - so proper exposure becomes crucial and unforgiving of mistakes.
but
all film is merely an extremely gross aproximation of human perception, anyone remotely involved in photography for any length of time in even the most casual way understands this. which is compounded by the fact that no two humans perceive colors the same way, and thus what is perceived as an "accurate" reproduction of color will vary among widely them (several different kinds and levels of color blindness aren't even the tip of the iceburg) - as will the actual
results themselves as initially adjusted for accuracy
by different humans.
you can prove this to yourself. get two rolls of film: one positive, one negative. take pictures in varying yet controlled conditions - e.g. indoors, outdoors, shade, even just different directions from the sun outdoors. get the films developed. then take both sets of film to two different shops to have prints made. finally, go back in to one of those same shops, and have the same prints of the same films made by the same shop on the same equipment, but by a different technitian. you will have three sets of prints each from two different rolls of film.
you will get results incredibly
all over the map. i know this firsthand, i have esentially done that experiment in the film days, albeit through experience rather than controlled conditions. "accurate color" it is not a science, or even a meaningful term, due to human perception and the vast limitations of film. it is an art, and will never be anything but. as long as there were more than one technician making prints or scans of science films, and/or working on different days, and/or different location, and/or different equipment - there will be very noticeable differences in at least hue, contrast, brightness, white balance, and other things i'm not sophisticated enough to know about. furthermore, you won't get a group of humans to even consistently agree on what those differences are.
you are testing my patience, bishop. and severely cramping my entire forearm and hand.
That's a valid cop-out. NASA does have a nasty habit of adding false color to its images. Every Hubble image, for example, comes in black and white. All stars and space phenomena produce white like. In reality there are no red, blue, or yellow hues from nebulae. It's all added in for visual effect.
it's not a "nasty habit", it is explicitly stated goals, [insulting expletive deleted]. the "false" colors of hubble are done for science, not your personal [expletive deleted] viewing pleasure.